Showing posts with label American Gothic. Show all posts
Showing posts with label American Gothic. Show all posts

Wednesday, 29 July 2015

From A Whisper to a Scream (1987) | Vincent Price's final horror film on Blu-ray

Back in 1980, The Monster Club, starring Vincent Price, became the final nail in the coffin for horror anthology-styled chillers that had peaked in the 1970s in a series of Amicus-produced frighteners.

Seven years on, however, first-time director Jeff Burr tried his hand at resurrecting the genre in From a Whisper to a Scream (aka The Offspring), and even convinced retired horror movie icon Vincent Price to appear.

Now, the film, which ended up becoming Price’s final role in a horror movie, has been has been given a Blu-ray release from Scream Factory in the US, loaded with specially-commissioned extras, including two audio commentaries and two feature-length documentaries.

WELCOME TO OLDFIELD
On the night that his serial killer niece Katherine (Martine Beswick) is to be executed, historian Julian White (Vincent Price) reveals to a journalist (Susan Tyrell) the sinister secrets of his hometown, Oldfield, Tennessee. But as the town’s murderous legacy is exposed by his chilling accounts – about a necrophiliac (Clu Gulager) and the monstrous offspring that results in his coupling with his dead sister; a centuries-old hermit (Harry Caesar) with life-prolonging powers; a ruthless carnival leader (Rosalind Cash) who uses voodoo on those who dare to leave her troupe; and a Yankee soldier (Cameron Mitchell) who discovers a legion of children with an appetite for murder – White doesn’t realise that he is about the write the final chapter of Oldfield’s horrible history… in his own blood!

ONE IS NEVER TOO OLD FOR NIGHTMARES

Shot on location in Dalton, Georgia and in LA by Burr (who was just 23 at the time) and a group of friends in 1985 and 1986, this low-budget flick was released in the US as The Offspring and everywhere else as From A Whisper to a Scream (the title was changed for the DVD and Blu-ray releases).

In securing Price to appear, the now famous story goes that Burr brazenly rolled up at Price’s LA home, where he was invited inside by the polite Price, who read the script, but later declined to appear until Max Von Sydow's agent convinced him otherwise. Price, wearing his own clothes and a favourite vintage jacket, recorded his sequences in two days at the same studio in Venice, California where he had filmed his classic Poe films with Roger Corman – who ended up visiting Price, along with Hazel Court, Price’s two-time co-star, while he was on set. This incident is well covered in the Blu-ray extra, as is Price's expletive-laden ship-to-shore telephone call to Burr over changes in the script that was to turn in character into a hook-handed, disfigured Dr Phibes character.


For many Price fans, myself included, Vinnie’s scenes in the movie are the only reason for visiting Oldfield. It’s great to see our childhood hero back in the genre that had made him famous, and its nice to hear his iconic voice once more growling out some suitably menacing dialogue. But this wasn't the right vehicle for the veteran horror actor. It was exactly the kind of ‘gore’ picture, as he called them, that he disliked. Not surprisingly, Price later regretted taking on the role (he said he only did it for the money). It's a rather sad cameo, not unlike his brief appearance in another low-budget flick, the 1988 action comedy, Dead Heat. It was only by sheer luck that Tim Burton would give Price the fitting swansong that his Merchant of Menace persona so richly deserved, in the short film Vincent and in Edward Scissorhands.
Thank you card from director Jeff Burr

THE SCREAM FACTORY BLU-RAY RELEASE


The Scream Factory/Shout! US Blu-ray release is based on a new HD transfer, presented in the original 1.85:1 aspect ratio. All previous releases of the film were cursed by being dark and grainy, so this is a huge improvement. I was lucky to get mine direct from Scream, so I got a nice little thank you card from director Burr as well as a film strip, featuring Anglo Rossitto

The special features include:
Return to Oldfield: The Making of Whisper to a Scream. This labour of love documentary contains lots of new and old interviews with the cast and crew, behind-the-scenes footage, and never-before-seen images of Vincent Price (including his letters to Burr). While you may not like the movie, Burr and his dedicated team should be praised for staying true to their purpose in giving the Hollywood bigwigs a run for their money. Their slick slice of American Gothic may not be perfect, but you can feel the love that went into making their dreams come true. This is the reason I got this release, and it's worth every pence/cent. It even made me want to watch the film again, and not just Price's bits.

Original film cell from A Whisper to a Scream
A Decade Under the Innocence: Adventures in Super 8 Filmmaking This one explores Burr and his Dalton, Georgia pals’ lifelong obsession for the film medium. Monster Kids will relate to this one (I know I did).
• Audio commentary with writer/director Jeff Burr. From script to screen, Burr leads us through the whole process of getting his film made, and talks about working with Price and Cameron Mitchell. Although packed with insight, there's a bit of repetition in the documentary.
• Audio commentary with writer/producer Darin Scott and writer Courtney Joyner.
• Animated Gallery. Burr comments (with lots of emotion) on the film’s production stills, press reviews and behind-the-scenes shots, including personal letters from Vincent Price.
• Theatrical trailer and TV spots.





Friday, 23 August 2013

Blu-ray review | The Fall of the House of Usher (1960) | Roger Corman’s American gothic classic rises again in lush HD

FALL_OF_THE_USHER_STEELBOOK 
THE STORY
In this striking 1960 elaboration on Edgar Allan Poe’s 1839 short story, Philip Winthrop (Mark Damon) arrives at the crumbling New England mansion of the Usher family to seek out his fiancĂ©e Madeleine (Myrna Fahey) and is promptly warned by her brother Roderick (Vincent Price) against marriage because the family is cursed with 'a history of savage degradations' which sends them mad. When Madeleine suddenly dies, Philip goes into mourning and his intended bride is quickly interred in the family crypt. But he is unaware that Roderick has buried his catatonic sister alive…

Vincent Price in House of Usher

THE LOWDOWN
At the end of the 1950s, rubber suit monsters were the mainstay of American horror films, while over the pond Hammer was packing cinemas with their full-blooded restaging of the Frankenstein and Dracula characters. Indie maverick Roger Corman quickly followed suit, combining America’s answer to the gothic, Edgar Allen Poe, CinemaScope and his trump card, Vincent Price.

The result was this minor masterpiece, which stays faithful to Poe as it tells the story of Roderick Usher (played by Price as a white haired, ashen faced aesthete, decked in a blood red robe) who longs for an end to his family’s curse which has impregnated the very walls of his crumbling mansion and has distorted his psyche and that of his sister - which is chillingly echoed in the line: 'The slightest touch and we may shatter'.

Price gives an intentionally concentrated, eerie and sad turn here and lends the film a mellifluous quality that brings to life Corman's Freudian take on Poes themes of inner corruption. It was a performance that would solidify Price’s new status as the crown prince of horror - that had kicked in while he was working on William Castle’s House on Haunted Hill and The Tingler - and which makes this film so chillingly memorable over half a century on.

Richard Matheson's intelligent script is enhanced by Floyd Crosby's atmospheric widescreen cinematography, whose psychedelic scenes tapped into the counter-culture movement of the day, while Daniel Haller makes the hired-in Universal sets look even more sumptuous. Coupled with Corman’s whip-smart direction and quick turnaround (the film was shot in 15 days), a rousing Les Baxter score and Price’s star quality, the style established here would be carried over in seven more Poe films, ending with The Tomb of Ligeia in 1964. But they would never have been made had Usher not set the box-office alight, which it did - earning in excess of $1 million back from its $250,000 budget ($50,000 of which was Price’s fee) when it premiered in the US on 18 June 1960.

Fall_of_the_House_of_Usher_cover1

THE ARROW VIDEO RELEASE
In a world first, Arrow presents a Region B HD Blu-ray (1080p) presentation of the feature, transferred and restored using the original film elements by MGM and original uncompressed 2.0 Mono PCM Audio. Optional SDH subtitles.

THE EXTRAS
• The Roger Corman audio commentary is the same as on the previous MGM DVD release, but the maestro is still a joy to listen to. (79:19)
Legend to Legend Director Joe Dante gives his thoughts on the film and on working with Corman. (26:47)
• Gothic horror expert Jonathan Rigby provides an informative insight into the history of the film, and on Corman and Price. (32:58)
Fragments of the House of Usher This video essay by critic and filmmaker David Cairns is a super little film studies analysis. I never knew the original story had gay overtones or that the film was ‘the perfect marriage of the oneric to the economic?’ (10:47)
• This French interview with Vincent Price has popped up on other DVD releases, but the transfer here is the best yet. It was shot at Price’s Malibu cottage in July 1986, the same year that he was doing The Great Mouse Detective for Disney, which was one of his last best performances. Ever the consummate raconteur, he provides the interviewer with some wonderful quotes, like the following, about why his horror films have stood the test of time. (11:26)

The secret of those films and why they have lasted so well is that you scream at the terror of them, but then you find yourself ridiculous for having screamed and you laugh at yourself, maybe that’s the clue to life.

• Unrestored US trailer with the most hilarious copy writing ever: 'The screen's foremost delineator of the Draculean!' (2:30)
• Reversible sleeve on the standard release, featuring artwork by Graham
Humphreys.
• Booklet featuring Tim Lucas essay, Vincent Price autobiography extract, archive stills and posters.

BLU-RAY GRABS
The Fall of the House of UsherThe Fall of the House of Usher800__fall_house_usher_blu-ray_11_

DID YOU KNOW?
The opening shot of Mark Damon riding towards the Usher mansion through a bleak, blackened wilderness of charred trees, ash and fog was achieved by Corman filming the sequence in the aftermath of a forest fire that had torched part of the Hollywood Hills just prior to filming.