Vincent Price 1928 European Travel Journal | London awaits | 13 July

Click on the banner above for the latest post from Vincent Price's 1928 European Travel Journal. On this day, his tour group start their journey by visiting London.

Vincent Price 1928 European Travel Journal | Young Vincent is all at sea on the dating front | 12 July

Click on the photo for the latest post from the Vincent Price 1928 European Travel Journal. Can you work out the code he uses when describing a romantic rendezvous aboard the RMS Caronia? If you think you know what the rest of the message reads, then leave a comment here.

Vincent Price 1928 European Travel Journal | The Atlantic Crossing Continues | 9-10 July

Click on the screen grab to read the latest post from Vincent Price's 1928 European Travel Journal.

Vincent Price 1928 European Travel Journal | Crossing the Atlantic | 7-8 July

 

Click on the screen grab above to read the latest post from Vincent Price's 1928 European Travel Journal.

Vincent Price's 1928 European Travel Journal is now live!

Log on now to read Vincent Price's 1928 European travel journal blog. New posts every day until 26 August. Save the link in your browser and follow a 17-year-old Price as he visits the Seven Capitals of Europe for the very first time. Also included are fun facts, historic notes and galleries of vintage postcards of the era, plus unique home movie footage shot in 1928.

1953's House of Wax drips onto 3D Blu-ray this October!

Thanks to Dread Central, here's the print sell sheet for the forthcoming US Blu-ray 3D release of House of Wax which will be priced at US$35.99 and due for release on 1 October. But no news yet whether it will be just NTSC or region free.

Special Features

House of Wax: Unlike Anything You've Ever Seen Before featurette (NEW)

Audio commentary

Newsreel

Theatrical Trailer

Mystery of the Wax Museum 1933 feature film

My Trip Abroad | Vincent Price's 1928 European travel journal goes live on the web

 
Coming this Friday 5 July is the new travel blog, MY TRIP ABROAD, as told by Vincent Price. This is the complete journal of the legendary actor’s European vacation aged 17 in 1928, covering the Seven Capitals of Europe – from his departure from New York on 6 July to his return to the US on 26 August. You can read his adventures every two days, beginning this Friday. Save the link below now and please do ‘like’ and ‘share’ this with your fellow Price fans.

MY TRIP ABROAD: THE VINCENT PRICE JOURNAL 1928

http://vincentpricejournal.wordpress.com/

The BFI's Gothic season is taking Britain to the dark heart of cinema

August 2013 – January 2014

http://www.bfi.org.uk/gothic    TWITTER: #BFIGothic @BFI

This week, the BFI unveiled GOTHIC: THE DARK HEART OF FILM, their blockbuster season celebrating one of Britain’s biggest cultural exports - outside of Shakespeare of course - through four themes Monstrous, The Dark Arts, Haunted and Love is a Devil. 

With over 150 titles, including Masque of the Red Death and Witchfinder General starring Vincent Price, and around 1000 screenings, plus DVD releases and a host of special events, Gothic celebrates the very British genius, rooted in literature and art, that gave rise to some of the most filmed characters in our on-screen history: Dracula, Frankenstein and Jekyll & Mr Hyde, and introduced the nation to sex, unleashing dark passions and breaking taboos along the way.

Is this really Chris Lee's cape from 1958's Dracula?

Heather Stewart, Creative Director, BFI said ‘With BFI Gothic Britain will be filled with dread and fuelled by lust. Gothic has never been more potent or popular, reflecting the turbulent times we are living in, our deepest fears and hidden passions. The British discovered sex in vivid Technicolor through Gothic. With a new generation gripped by the post modern Gothic world of Twilight’s ‘vegetarian’ vampires, Harry Potter’s spells and EL James’s 50 Shades, its meaning has mutated yet again. It’s now time to look back into the deep dark beating heart of Gothic film and give audiences the authentic thrill of this shape-shifting, perennially popular genre.’

WHAT TO LOOK OUT FOR...
• A four-month season of film, television and events ever to be held at BFI Southbank with special guests appearing on stage alongside exclusive previews including Roger Corman, George  Romero and many more.

• The BFI Monster Weekend at the British Museum with outdoor screening of restored versions of Night of the Demon, Dracula and The Mummy (29/30/31 August).

• Working with The National Trust to create unique events at historic places like Calke Abbey in Derbyshire and The Sticklebarn Pub in the Lake District.

• A partnership with Film4 celebrating cinema's ‘Dark Arts’ over the Hallowe’en period.

• A special talk at Somerset House on 15 August by Jasper Sharp on ‘Asian Gothic and the Japanese Ghost Story’.

• The Edinburgh International Festival (9 August-1 September) presents composer Philip Glass’s magical reimagining of Jean Cocteau’s 1946 La Belle et la Bête.

• Working with the Scottish National Gallery of Modern Art in conjunction with their ‘Witchcraft & Wicked Bodies’ exhibition, (27 July-3 November) and Filmhouse Edinburgh, which will be presenting a Gothic season of films and events.

• A major BFI Education programme inspiring a Gothic imagination in younger audiences, launching on Friday 13 September.

• Outdoor screening of The Shining (1980) at Mapledurham House, Oxfordshire (13 September).

• Nationwide BFI cinema releases of Werner Herzog’s Nosferatu the Vampyre – launching with Hallowe’en previews – and  Jack Clayton’s The Innocents, released on 13 December.

• Eight DVD releases with DVD and Blu-ray premieres, including the BBC TV adaptation of Sheridan Le Fanu’s Schalcken the Painter and younger viewers, Bumps in the Night; three scary stories from The Children’s Film Foundation film library.

• The illustrated new BFI publication Gothic: The Dark Heart of Film, featuring essays by Guillermo del Toro, Sir Christopher Frayling, Roger Corman, Mark Kermode and Jane Goldman.

• A Gothic double bill on 26 October at Cornerhouse Manchester.

• A partnership with Abertoir: Wales' International Horror Festival (5 – 10 November)

• A partnership with Angels Fancy Dress, who supplied the Dracula cape and costume for the launch.

RIP Richard Matheson (1926-2013) - author, screenwriter, legend

The news that American author and screenwriter Richard Matheson has passed away this week (23 June) at the age of 87 has filled me with sadness. His massive body of work was hugely influential in the world of science fiction just as the late Ray Bradbury (who left us in June of last year) was in the field of fantasy fiction. 

On screen, I will forever remember Matheson as the writer of many of Roger Corman's Poe films starring Vincent Price.
 

1960 The Fall of the House of Usher (screenplay) 

1961 Master of the World (screenplay) 

1961 Pit and the Pendulum (screenplay) 

1962 Tales of Terror (screenplay) 

1963 The Raven (writer) 

1963 The Comedy of Terrors (novel - uncredited screenplay)

But my favourite work of his remains 1954's I Am Legend, which has been adapted for the screen three times – first with Vincent in 1964's underrated The Last Man on Earth (as Logan Swanson), then with Chuck Heston in 1971 classic The Omega Man, and finally in that Will Smith one. 

RIP Richard. Thanks for taking me beyond the stars and beyond the limits of my imagination.

If you'd like to share your favourite Richard Matheson titles on Twitter, then use the hashtag #RIPMatheson, otherwise please leave a comment below.



 

Kensal Green Cemetery | The Theatre of Blood film location is having an Open Day

In the 1973 film Theatre of Blood, in which Vincent Price's Shakespearean actor Edward Lionheart takes delicious revenge on the critics who spurned him, one of the film's key scenes took place at Kensal Green Cemetery, the first of the 'Magnificent Seven' garden-style cemeteries in London. 

Hector's grave was sited in front of the Anglican Chapel portico

 

Disguised as a gravedigger, Lionheart watched 'in the wings' as the body of Hector Snipe (Dennis Price) was dragged behind a horse in full view his horrified theatre critic colleagues, in a bloody re-enactment of Hector's demise the hands of Achilles in Shakespeare's play Troilus and Cressida.

The Anglican Chapel portico in the film and today

 

In another scene, which takes place within The Anglican Chapel, Lionheart's daughter Edwina (Diana Rigg) visits her supposedly dead father's memorial and is quizzed by Peregrin Devlin (Ian Hendry).

Lionheart's memorial is actually the tomb of Robert Sievier

This monument was altered for the film. It belongs to sculptor and inventor Robert William Sievier (1794-1865), and shows the sculpted figures of a seated man, one hand placed on the head a woman kneeling in adoration, while the other holds the Bible, its pages opened to a passage in the Book of Luke. For the film, plaster masks of Price and Rigg were substituted for the statue's real ones, the Bible became a volume of Shakespeare and there is a suitable engraving at the front with Lionheart's name and dates.

If you have ever wanted to visit the location, then the Kensal Green Cemetery Open Day on Saturday 22 June 2013 is a perfect opportunity. It hosts tours of the cemetery and the catacombs, a range of stalls and also a display of classic hearses. It's free and fun and here's the link if you want more information.

Kensal Green Cemetery

Address: 385 Ladbroke Grove, London, NW10 5JX