To mark the 16 February UK Blu-ray/DVD release of 1963's The Comedy of Terrors from Arrow Video, here's a look back at the vintage horror farce.
‘You’re invited to a funeral’
Welcome to the Hinchley & Trumbull funeral parlour, the only
establishment of its kind that has found the secret of increasing
business - by furnishing its own corpses! From
Jacques Tourneur, director of the horror classics,
Cat People, I
Walked with a Zombie and
Night of the Demon, comes the 1963 horror spoof,
The Comedy of Terrors, starring four masters of the macabre -
Vincent Price,
Peter Lorre,
Basil Rathbone and
Boris Karloff.
‘What place is this?’
Inebriate undertaker Waldo Trumbull (Price) is running a New England
funeral home business owned by his ageing father-in-law (Karloff)…
straight into the ground. Hounded by his penny-pinching landlord Mr
Black (Rathbone) for non-payment of rent, Trumbull and his put upon
assistant Felix Gillie (Lorre) hatch a plan to boost business. But
murder is not their forté, especially when their latest ‘client’
refuses to stay dead…
‘Every
shroud has a silver lining when old friends get together for a real
swinging blast of grave robbery… poisoning, and multiple mayhem!’
So declared the promo poster for
American International Pictures' horror spoof,
The Comedy of Terrors,
which famously brought together four great names from the horror hall
of fame. In the early-1960s, AIP
were riding high with their winning formula of director Roger Corman,
star Vincent Price, screenwriter Richard Matheson, composer Les Baxter,
et all. Following their full-on Colorscope Gothic horrors,
The Fall of the House of Usher and
The Pit and the Pendulum, AIP added some comic relief in 1962's
Tales of Terror, in a segment called
The Black Cat, whose highlight was an improvised wine tasting scene between Price and Lorre.
Because the two spooks gelled so well, director Corman gave Price and Lorre the chance to do it all over again in his 1963 fantasy spoof,
The Raven.
Out of that was born a gruesome twosome comedy duo that were like an Abbott
& Costello for the drive-in generation. Wanting to tap those funny bones again, AIP gave
Matheson free reign to conjure up another vehicle for them. The result
was
The Comedy of Terrors (originally called
Graveside Story), which was shot over 15 days, starting 4 September 1963, and released in US cinemas on 22 January 1964.
‘Comedy
and terror are closely allied. My job as an actor is to try and make
the unbelievable believable and the despicable delectable’ Vincent Price
As the roguish Waldo Trumbull, Price is at his ‘delicious boozy hammiest’ - according to the
New York Herald Tribune
– and has a whale of a time making the most of Matheson’s venomous
dialogue – in particular his sardonic put-downs on Lorre's wanted
fugitive Felix (who is a terrible coffin-maker, I might add),
while their slapstick misadventures evoke Laurel and
Hardy – Price even gets to reappropriate their famous catchphrase: ‘A
fine mess you’ve made of things again!’
Sadly, this would be the last time that the two pals got to act together, as the 59-year-old Lorre was in poor health during the shoot (his regular stunt double
Harvey Parry did all of his action scenes wearing a mask), and died just two months after the film’s release. Fittingly, it was Price who delivered the eulogy.
Interestingly in this film, Price and Lorre reverse the roles they played in
Tales of Terror, and again there's
Joyce Jameson playing a buxom mistreated wife with a drunk for a hubby. As
Amaryllis, an unfulfilled opera star with the ‘vocal emissions of a
laryngitic cow’, Jameson hits a real high with her
‘off-key’ singing during a funeral service, while her verbal sparring
with Price is eminently quotable.
Veterans Rathbone and Karloff are also game for a laugh in this
Arsenic and Old Lace-styled
affair (and shares a similar structure as that classic 1941 play which famously sent up Karloff's horror
screen persona). Rathbone is exceptional as the
Shakespearean-spouting cataleptic who refuses to ‘shuffle off his mortal
coil’, while he also gets to play up his thespian image and swashbuckling days (the sword play being an homage to 1938's
The Adventures of Robin Hood.)
At 76, and suffering from arthritis, Karloff was not up to playing Mr
Black, a role which was originally offered to him. But as the
endearingly senile Amos, who somehow manages to avoid the poison that
Waldo offers him at every turn, Karloff is only one who keeps the farce
from taking full flight.
The
downside to Tourneur's film, however (it was the director's
second-to-last feature before some TV work and then retiring), is that it's rather stagey and
old-fashioned (especially for the 1960s teen crowd that it was aimed
at). It remains, however, a firm favourite of mine – a gleefully
ghoulish slapstick affair with a classy never-to-be-repeated cast of old
Hollywood greats.
This fine caricature by Jack Manning was available as part of AIP’s original marketing campaign.
DID YOU KNOW?
Richard Matheson scripted a follow-up called
Sweethearts and Horrors,
that was to feature the fearsome four once again, but it was shelved
due to Lorre’s death and the film’s poor box-office takings. The
unfilmed screenplay ended up being released in 2009 as part of Matheson's collected works, entitled
Visions Deferred.
THE SCORE
The music is by celebrated composer Les Baxter (who also did the US scores for Mario Bava's
Black Sabbath and
The Evil Eye in 1963, as well as Corman's
The Raven).
The complete mono session which was recorded in November 1963 at Goldwyn Studios
was uncovered from the MGM vaults last year and released on a now sold
out CD.
RHUBARB | THE CAT IN THE HOUSE OF UNHOLY HORROR
Cleopatra is played by one of Hollywood’s most celebrated animal stars, Rhubarb (aka
Orangey) – a 12-pound marmalade tabby who won two American Humane Association’s PATSY awards for 1951’s Rhubarb and 1961’s
Breakfast at Tiffany’s (in which he has almost seven minutes of screen time), and who also appeared in
The Incredible Shrinking Man (1957) and
Village of the Giants (1965). In
The Comedy of Terrors, Rhubarb gets an inspired scene in the closing credits.
My review of Arrow's UK Blu-ray/DVD release - coming soon!
